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home·artworks·Plaque of Priestley
Plaque of Priestley by John Flaxman

plate no. 3299

Plaque of Priestley

John Flaxman

oilNeoclassicismportraitportraitbustframeprofileman
some experience helpful

Recreating this painting will help students develop skills in rendering form with subtle value changes and capturing the texture of different materials. It also provides practice in drawing accurate proportions and creating a sense of depth.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the oval frame and the overall shape of the bust.

  2. step 02

    Refine the sketch, paying close attention to the proportions of the head and shoulders.

  3. step 03

    Block in the main areas of value: the background, the bust, and the frame.

  4. step 04

    Start building up the form of the bust with layers of light and shadow, focusing on the planes of the face and the folds of the clothing.

  5. step 05

    Add details to the hair, carefully observing the direction and flow of the curls.

  6. step 06

    Refine the frame, adding highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Add the inscription at the bottom.

  8. step 08

    Make final adjustments to the values and details to create a cohesive and realistic image.

color palette

primary · ivory black · titanium white

secondary · payne's gray · raw umber

Mix shades of gray by combining ivory black and titanium white in varying ratios. Add small amounts of raw umber or payne's gray to create warmer or cooler tones.

techniques

  • ·value shading
  • ·blending
  • ·hatching
  • ·cross-hatching
  • ·rendering

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a smooth transition between values.
  • →Not paying attention to the direction of light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

A smooth canvas will be best for achieving the subtle gradations of tone. Consider using a toned canvas (light gray) to speed up the process.

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oil painting for beginners →how to learn by studying the masters →
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