apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Part of a Series Chronicling the Uniforms of Napoleon's Grande Armée
Part of a Series Chronicling the Uniforms of Napoleon's Grande Armée by Carle Vernet

plate no. 9167

Part of a Series Chronicling the Uniforms of Napoleon's Grande Armée

Carle Vernet, 1812

oilNeoclassicismgenre paintinghorsesoldieruniformlandscapeskyfigures
experienced study

Recreating this painting will help students develop skills in rendering complex forms like horses and figures in motion, as well as understanding color mixing for realistic skin tones and fabrics. It also provides practice in creating depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the horse, rider, and background landscape.

  2. step 02

    Establish the main light and shadow areas on the horse and rider using a diluted wash.

  3. step 03

    Begin layering colors on the horse, building up the tones and details of the musculature.

  4. step 04

    Paint the rider's uniform, paying close attention to the details of the fabric and armor.

  5. step 05

    Add the background elements, using lighter washes for distant figures to create depth.

  6. step 06

    Refine the details of the horse's head, including the eyes, ears, and bridle.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · ultramarine blue · titanium white · yellow ochre

secondary · cadmium red · ivory black · raw sienna

Mix burnt umber and ultramarine for the horse's coat. Use yellow ochre and burnt sienna for highlights. Mix ultramarine with white for the sky and distant figures.

techniques

  • ·glazing
  • ·dry brushing
  • ·wet-on-dry layering
  • ·atmospheric perspective
  • ·rendering form

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Not paying attention to the anatomy of the horse.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels
  • ·sketching pencil

optional

  • ·masking fluid
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs