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home·artworks·Panepistimiou street
Panepistimiou street by Paul Mathiopoulos

plate no. 6440

Panepistimiou street

Paul Mathiopoulos, 1896

oilSymbolismcityscapestreetcityscapetreesbuildingsfigurestram
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create a sense of depth and mood. It also provides practice in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, trees, and figures.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray or brown.

  3. step 03

    Block in the sky with a light, muted gray, blending it softly into the horizon.

  4. step 04

    Add the darker values for the buildings and trees, paying attention to their shapes and silhouettes.

  5. step 05

    Introduce subtle color variations to the buildings and street, using muted browns, grays, and blues.

  6. step 06

    Paint the figures and the tram with simplified shapes and values, suggesting their forms without excessive detail.

  7. step 07

    Refine the details of the trees and buildings, adding subtle highlights and shadows.

  8. step 08

    Add final touches to the sky and street, blending and softening edges as needed.

color palette

primary · payne's gray · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use more white for the sky and distant elements to create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·soft blending
  • ·value studies
  • ·limited palette
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too bright or saturated.
  • →Creating hard edges that detract from the soft, hazy mood.
  • →Ignoring the importance of value in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

A toned canvas with a neutral gray or brown can be helpful for establishing the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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