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home·artworks·Outcast (Self-Portrait)
Outcast (Self-Portrait) by Georgi Mashev

plate no. 1985

Outcast (Self-Portrait)

Georgi Mashev, 1921

oilSymbolismself-portraitfigureportraiteyesarmsdarkself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing emotion through facial expression and using a limited palette to create a moody atmosphere. It also provides practice in rendering form with light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the eyes, arms, and overall proportions.

  2. step 02

    Establish the darkest areas of the painting with a thin wash of burnt umber or a similar dark brown.

  3. step 03

    Block in the mid-tones on the face and arms using a mix of raw umber, ochre, and white.

  4. step 04

    Begin to refine the facial features, paying close attention to the shape and expression of the eyes.

  5. step 05

    Add highlights to the face and arms, using a lighter mix of ochre and white.

  6. step 06

    Develop the background and clothing with darker tones, using visible brushstrokes to create texture.

  7. step 07

    Refine the details and edges, softening some areas and sharpening others to create depth.

  8. step 08

    Add final glazes to unify the colors and create a sense of atmosphere.

color palette

primary · raw umber · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · cadmium red light

Achieve the skin tones by mixing yellow ochre, raw umber, and white in varying proportions. Use small amounts of red and blue to adjust the warmth and coolness of the skin tones. The dark areas are primarily burnt umber with touches of blue.

techniques

  • ·blocking in
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of edges in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil or other painting medium

optional

  • ·palette knife
  • ·turpentine or mineral spirits
  • ·medium gloss
  • ·easel

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the dark mood of the painting.

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