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home·artworks·Our Good Natured Cousin
Our Good Natured Cousin by Augustus Edwin Mulready

plate no. 9577

Our Good Natured Cousin

Augustus Edwin Mulready

oil, canvasNaturalismgenre paintingfiguresstreet scenebuildingsdogumbrellasshops
some experience helpful

Recreating this painting will help students develop skills in depicting figures in period clothing and creating a sense of depth through atmospheric perspective. It also provides practice in rendering textures of different materials like fabric and stone.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and figures, paying attention to proportions and perspective.

  2. step 02

    Establish the background tones, starting with the buildings and street, using thin washes of color.

  3. step 03

    Block in the main figures with their basic colors, focusing on the overall value structure.

  4. step 04

    Develop the details of the clothing, adding highlights and shadows to create form and texture.

  5. step 05

    Refine the faces and hands, paying attention to the subtle variations in skin tone.

  6. step 06

    Add the details of the umbrellas, dog, and other accessories, using smaller brushes.

  7. step 07

    Adjust the overall color harmony and value contrast to create a cohesive composition.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · burnt sienna · titanium white · ivory black

secondary · cadmium red light · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining raw umber, burnt sienna, ivory black, and titanium white. Use ultramarine blue and titanium white for the sky and to create cooler tones for shadows. Add small amounts of cadmium red to create warmer skin tones.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·fabric rendering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (raw umber, burnt sienna, titanium white, ivory black, cadmium red light, ultramarine blue, yellow ochre)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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