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home·artworks·Ostatnie śniegi
Ostatnie śniegi by Ferdynand Ruszczyc

plate no. 7852

Ostatnie śniegi

Ferdynand Ruszczyc, 1899

oilSymbolismlandscaperiverrockssnowtreeslandscapefoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how light interacts with different surfaces like water and snow. It also provides practice in capturing the subtle color variations within a limited palette.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the rocks, river, and background trees, paying attention to the overall composition.

  2. step 02

    Establish the dark values of the water and shadowed areas using a dark brown or blue.

  3. step 03

    Begin layering in the mid-tones on the rocks, mixing browns, oranges, and a touch of blue to create variations.

  4. step 04

    Add highlights to the rocks and snow using lighter shades of white, gray, and yellow.

  5. step 05

    Paint the background trees and foliage, focusing on capturing the texture and depth with varied brushstrokes.

  6. step 06

    Refine the details of the branches and twigs, using a fine brush.

  7. step 07

    Add reflections in the water, using slightly muted versions of the colors above.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic scene.

color palette

primary · burnt umber · titanium white · ultramarine blue · yellow ochre

secondary · burnt sienna · raw umber · cadmium yellow light

Mix burnt umber and ultramarine blue for dark shadows. Use white and yellow ochre to create highlights on the snow and rocks. Add small amounts of blue to browns to cool them down.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·broken color

common pitfalls

  • →Overblending colors, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle color variations within the rocks and snow.
  • →Making the water too uniform in color and value.
  • →Failing to capture the texture of the rocks and foliage.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints (burnt umber, titanium white, ultramarine blue, yellow ochre)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·cadmium yellow light oil paint
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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