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home·artworks·Orpheus at the Tomb of Eurydice
Orpheus at the Tomb of Eurydice by Gustave Moreau

plate no. 7212

Orpheus at the Tomb of Eurydice

Gustave Moreau, 1891

oil, canvasSymbolismmythological paintingfigurelandscapetombtreesmoonmythology
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for muted tones, and depicting the human figure in a landscape setting. It also provides practice in creating a mood and atmosphere through color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, tomb, and trees.

  2. step 02

    Establish the background sky with blended blues, grays, and whites.

  3. step 03

    Block in the large shapes of the trees and tomb using dark reds, browns, and grays.

  4. step 04

    Add the figure, starting with a light underpainting to establish the form and proportions.

  5. step 05

    Develop the details of the figure, paying attention to the light and shadow.

  6. step 06

    Refine the details of the trees, tomb, and surrounding landscape, adding texture and variation.

  7. step 07

    Add the moon and its subtle glow, blending carefully.

  8. step 08

    Apply final glazes to unify the painting and enhance the atmosphere.

color palette

primary · burnt umber · ultramarine blue · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve the muted tones by mixing complementary colors (red and green, blue and orange). Use white to lighten values and create subtle gradations. Mix dark blues and blacks for the sky and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating colors that are too bright or saturated.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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