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home·artworks·Orestes and the Erinyes
Orestes and the Erinyes by Gustave Moreau

plate no. 6537

Orestes and the Erinyes

Gustave Moreau, 1891

oil, canvasSymbolismmythological paintingfigurescolumnsarchitecturemythologyinteriorstatues
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details and creating a sense of depth through layering and atmospheric perspective. It also provides practice in figure drawing and capturing dramatic lighting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Establish the light source and begin to build up the values, focusing on creating depth and dimension.

  4. step 04

    Develop the details of the figures, paying attention to anatomy and expression.

  5. step 05

    Add details to the architectural elements, such as the columns, statues, and ornamentation.

  6. step 06

    Refine the colors and values, adding highlights and shadows to create a sense of realism.

  7. step 07

    Glaze layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the muted tones by mixing earth tones with small amounts of blues and reds. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Inaccurate proportions of figures and architectural elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·variety of round and flat brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

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