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home·artworks·Oración
Oración by José Santiago Garnelo y Alda

plate no. 0817

Oración

José Santiago Garnelo y Alda

oilNaturalisminteriorinteriorchurchfigurearchitecturelightshadow
some experience helpful

Recreating this painting will help students understand how to capture the mood of an interior scene with light and shadow, and how to simplify complex architectural details using loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figure and the main architectural elements.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Begin to refine the architectural details, paying attention to the way light falls on the columns and arches.

  4. step 04

    Add the figure, focusing on capturing the pose and the way the light interacts with the clothing.

  5. step 05

    Develop the details of the interior, such as the pews and the altar, using loose brushstrokes.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and atmosphere.

  7. step 07

    Add final details, such as the hanging lamp and the stained glass window.

  8. step 08

    Step back and make any necessary adjustments to the composition, color, and value.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · ivory black · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use yellow ochre and cadmium red light to create warm highlights.

techniques

  • ·blocking in
  • ·dry brush
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, painterly quality of the original.
  • →Failing to establish a strong value structure, resulting in a flat and unconvincing image.
  • →Getting bogged down in the complexity of the architecture and losing sight of the overall composition.
  • →Not paying attention to the way light and shadow define the forms and create atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, yellow ochre, cadmium red light)
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a limited palette of colors to simplify the mixing process and create a harmonious color scheme. Consider using a toned canvas to establish a base value and speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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