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home·artworks·On the landing, Mespil House
On the landing, Mespil House by Sarah Purser

plate no. 8702

On the landing, Mespil House

Sarah Purser

oilNaturalismsketch and studyfigureinteriorarchitecturebalconydress
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and capturing the essence of a subject with minimal detail. It also provides practice in mixing muted color palettes and creating atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the figure's placement and the architectural elements.

  2. step 02

    Establish the background with broad, loose strokes of muted browns and grays.

  3. step 03

    Block in the main colors of the figure: yellow for the dress, green for the coat.

  4. step 04

    Add darker values to define shadows and create depth in the figure and background.

  5. step 05

    Refine the architectural details, such as the railing and archway, with thicker paint and visible brushstrokes.

  6. step 06

    Introduce secondary colors like blues and oranges in small areas to add visual interest.

  7. step 07

    Soften edges and blend colors where needed to create a sense of atmosphere.

  8. step 08

    Add final highlights to the figure and architectural details to create focal points.

color palette

primary · yellow ochre · raw umber · titanium white · sap green

secondary · ultramarine blue · cadmium orange · burnt sienna

Mix muted greens by combining sap green with raw umber and white. Achieve the yellow dress color by mixing yellow ochre with white and a touch of cadmium orange. Use raw umber and white for various shades of gray and brown.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using colors that are too bright or saturated.
  • →Failing to establish a clear value structure.
  • →Ignoring the importance of soft edges and blended transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 4, 8)
  • ·flat brushes (sizes 6, 10)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (for cleanup)

optional

  • ·painting medium
  • ·easel
  • ·rags

A slightly textured canvas will enhance the effect of the dry brush technique.

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