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home·artworks·On the Escopus at Hurley, New York
On the Escopus at Hurley, New York by David Johnson

plate no. 1720

On the Escopus at Hurley, New York

David Johnson, 1858

oilLuminismlandscapelandscapetreeswaterskyreflectionfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as capturing reflections in water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the land and water.

  2. step 02

    Establish the sky with a gradient of warm yellows and oranges, blending smoothly.

  3. step 03

    Block in the large masses of trees and foliage with dark greens and browns, varying the tones to create depth.

  4. step 04

    Paint the water, capturing the reflections of the sky and trees with slightly muted colors.

  5. step 05

    Add details to the foreground, such as rocks, bushes, and grasses, using smaller brushstrokes.

  6. step 06

    Refine the details in the trees, adding highlights and shadows to create texture and form.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final details, such as small figures or birds, to add interest and scale.

color palette

primary · yellow ochre · burnt umber · sap green · titanium white

secondary · cadmium yellow · ultramarine blue · alizarin crimson

Achieve the subtle greens by mixing sap green with yellow ochre and a touch of blue. Create the warm sky by blending yellow ochre, cadmium yellow, and a hint of alizarin crimson.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·rendering reflections
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating overly saturated colors that detract from the overall harmony.
  • →Failing to capture the subtle gradations of light and shadow.
  • →Making the reflections too sharp or detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a pre-toned canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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