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home·artworks·On the Balcony
On the Balcony by Konstantin Somov

plate no. 7435

On the Balcony

Konstantin Somov, 1901

oil, canvasSymbolisminteriorinteriorgardendoorwayfigurefoliagetable
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create depth through color and value changes. It also provides practice in painting complex textures like foliage and wood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: doorway, table, garden path, and figure.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color with thin washes.

  3. step 03

    Focus on the light and shadow patterns, especially on the garden path and foliage.

  4. step 04

    Develop the details of the doorway and table, paying attention to the wood grain and texture.

  5. step 05

    Refine the foliage, using small brushstrokes to create a sense of depth and complexity.

  6. step 06

    Add the figure in the doorway, focusing on the subtle variations in skin tone.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · cadmium red · sap green

Mix greens by combining yellow ochre and ultramarine blue, adjusting the ratio for different shades. Use burnt umber and ultramarine blue to create the dark tones of the doorway. Add titanium white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·alla prima

common pitfalls

  • →Overworking the foliage, resulting in a flat and lifeless appearance.
  • →Failing to establish a clear light source, leading to inconsistent shadows.
  • →Ignoring the subtle color variations in the shadows, making them appear too dark and uniform.
  • →Losing the overall sense of atmosphere by focusing too much on small details.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·sap green oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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