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home·artworks·Old Monk
Old Monk by Gheorghe Tattarescu

plate no. 1234

Old Monk

Gheorghe Tattarescu

oilNeoclassicismportraitportraitfiguremanbeardfacehair
some experience helpful

This painting provides an opportunity to practice portrait techniques, including capturing likeness and rendering realistic skin tones. Students will also learn to create depth and form using subtle value changes and blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, beard, and shoulders.

  2. step 02

    Establish the background color with a thin wash.

  3. step 03

    Block in the main areas of light and shadow on the face and beard using mid-tones.

  4. step 04

    Refine the facial features, paying attention to the subtle variations in skin tone.

  5. step 05

    Add highlights to the forehead, nose, and cheekbones to create a sense of depth.

  6. step 06

    Develop the beard with individual brushstrokes, varying the color and value to create texture.

  7. step 07

    Paint the dark clothing, blending the edges to create a soft transition.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue

Mix yellow ochre and burnt umber with white for skin tones. Use small amounts of red and blue to create shadows and add warmth to the skin. Mix darks with burnt umber and a touch of blue.

techniques

  • ·portrait painting
  • ·blending
  • ·value study
  • ·layering
  • ·scumbling

common pitfalls

  • →Overblending the skin tones, resulting in a flat appearance.
  • →Getting the proportions of the face wrong.
  • →Using too much white, making the skin look chalky.
  • →Ignoring the subtle color variations in the beard.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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