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home·artworks·Odón de Buen
Odón de Buen by Mariano Benlliure

plate no. 7246

Odón de Buen

Mariano Benlliure

bronzeNeoclassicismportraitportraitsculpturebustfigurebronzeman
some experience helpful

Recreating this painting will help students develop skills in rendering form through subtle value changes and understanding how light interacts with a three-dimensional object. It also provides practice in capturing likeness and texture.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall proportions and pose of the bust.

  2. step 02

    Block in the main shapes and forms with a mid-tone color, paying attention to the overall value structure.

  3. step 03

    Start adding darker values to define shadows and create depth, focusing on the areas around the eyes, nose, and mouth.

  4. step 04

    Introduce lighter values to highlight the areas where light is hitting the sculpture, such as the forehead, cheekbones, and shoulders.

  5. step 05

    Refine the details of the face, including the eyes, nose, mouth, and hair, using smaller brushes and more precise strokes.

  6. step 06

    Add texture to the sculpture by using dry brush techniques or stippling to create the appearance of rough surfaces.

  7. step 07

    Adjust the values and colors as needed to create a sense of realism and depth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · raw umber · burnt umber · titanium white

secondary · yellow ochre · payne's gray

Mix raw umber and burnt umber in varying ratios to create different shades of brown. Add titanium white to lighten the colors and create highlights. Use yellow ochre and payne's gray sparingly to add subtle color variations.

techniques

  • ·Value studies
  • ·Chiaroscuro
  • ·Dry brush
  • ·Layering
  • ·Blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color and losing the monochromatic feel.
  • →Ignoring the subtle variations in texture.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Raw umber oil paint
  • ·Burnt umber oil paint
  • ·Titanium white oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Easel

Consider using a toned canvas to make it easier to judge values.

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