apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Noia Amb Flors
Noia Amb Flors by Joan Brull

plate no. 1874

Noia Amb Flors

Joan Brull

oilSymbolismportraitportraitfigureflowershairprofiledress
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing subtle skin tones and rendering soft, diffused lighting. It also provides practice in creating texture with visible brushstrokes and depicting floral arrangements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, focusing on proportions and the angle of the head.

  2. step 02

    Block in the background with dark, muted tones, establishing the overall value range.

  3. step 03

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the hair, using loose brushstrokes to suggest texture and movement.

  5. step 05

    Block in the general shapes and colors of the flowers, paying attention to their arrangement and form.

  6. step 06

    Refine the details of the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  7. step 07

    Add highlights and shadows to the dress to create depth and dimension.

  8. step 08

    Add final details to the flowers, using small brushstrokes to create texture and interest.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of raw umber. Darken shadows with ivory black and raw umber. Mix red and white for the pink hues in the flowers.

techniques

  • ·scumbling
  • ·glazing
  • ·alla prima
  • ·broken color
  • ·chiaroscuro

common pitfalls

  • →Overblending the skin tones, resulting in a flat, lifeless appearance.
  • →Failing to capture the subtle variations in color and value in the face.
  • →Making the flowers too detailed and distracting from the figure.
  • →Losing the overall sense of light and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for better paint adhesion. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull