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home·artworks·New Rome. Castle of the Holy Angel
New Rome. Castle of the Holy Angel by Sylvester Shchedrin

plate no. 0919

New Rome. Castle of the Holy Angel

Sylvester Shchedrin, 1825

oilNeoclassicismcityscapecityscaperiverbuildingsboatsfiguressky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, rendering reflections in water, and creating a sense of depth through layering and tonal variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of major landmarks like the buildings, bridge, and Castel Sant'Angelo.

  2. step 02

    Establish the horizon line and the perspective of the riverbanks and buildings.

  3. step 03

    Block in the main color masses for the sky, water, buildings, and landscape using thin washes.

  4. step 04

    Develop the sky with subtle gradations of color, creating soft clouds.

  5. step 05

    Layer the colors in the water, capturing the reflections of the buildings and sky.

  6. step 06

    Add details to the buildings, bridge, and Castel Sant'Angelo, paying attention to light and shadow.

  7. step 07

    Paint the figures and boats in the foreground, adding details to their clothing and features.

  8. step 08

    Refine the overall painting, adjusting values and colors to create a harmonious and atmospheric effect.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the muted tones by mixing earth tones with white and small amounts of blue. Create atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·linear perspective

common pitfalls

  • →Overworking the details in the background, losing the sense of depth.
  • →Creating harsh lines and edges, making the painting look flat.
  • →Failing to capture the subtle color variations in the sky and water.
  • →Ignoring the principles of perspective, resulting in a distorted composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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