apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Napoleon's entry into Munich on October 24, 1805
Napoleon's entry into Munich on October 24, 1805 by Nicolas Antoine Taunay

plate no. 7084

Napoleon's entry into Munich on October 24, 1805

Nicolas Antoine Taunay, 1810

oil, canvasNeoclassicismhistory paintingcityscapefigurestreesskyhorsesprocession
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering complex scenes with many figures. It also provides practice in color mixing to achieve realistic skin tones and foliage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective.

  2. step 02

    Block in the sky and distant buildings with thin washes of color.

  3. step 03

    Establish the main tree mass and the general shapes of the figures in the foreground.

  4. step 04

    Develop the details of the buildings, paying attention to the diminishing scale as they recede.

  5. step 05

    Refine the figures, adding details to their clothing and faces.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Work on the foliage, using layers of color to create texture.

  8. step 08

    Add final details and adjust values to create a cohesive and balanced composition.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · viridian green · ivory black

Achieve the sky colors by mixing ultramarine blue with titanium white, gradually adding yellow ochre for warmer tones. Create realistic skin tones by mixing cadmium red, yellow ochre, burnt umber, and titanium white.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·color layering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a clear sense of perspective.
  • →Using colors that are too saturated.
  • →Ignoring the importance of value contrast.
  • →Getting lost in the details of the figures and losing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·color chart
  • ·mahl stick

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs