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home·artworks·Napoleone Elisa Bacciochi, daughter of Elisa, sister of Napoleon I.
Napoleone Elisa Bacciochi, daughter of Elisa, sister of Napoleon I. by Marie-Guillemine Benoist

plate no. 2155

Napoleone Elisa Bacciochi, daughter of Elisa, sister of Napoleon I.

Marie-Guillemine Benoist

oilNeoclassicismportraitportraitgirlbirdlandscapeflowerscart
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as practicing smooth blending techniques to create soft transitions.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, the bird, and the main elements of the background.

  2. step 02

    Block in the main color areas, starting with the sky and the background landscape.

  3. step 03

    Establish the skin tones of the girl's face and hands, paying attention to subtle variations in color and value.

  4. step 04

    Paint the white dress, using different shades of white and gray to create form and dimension.

  5. step 05

    Add details to the bird, focusing on the texture of the feathers and the subtle color variations.

  6. step 06

    Paint the flowers and the cart, adding details and textures.

  7. step 07

    Refine the background landscape, adding details to the trees and the distant hills.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · yellow ochre · raw umber · ultramarine blue

secondary · cadmium red · sap green · burnt sienna

Mix various shades of white with small amounts of yellow ochre, raw umber, and ultramarine blue to create the subtle variations in the dress. Use a combination of yellow ochre, raw umber, and burnt sienna to create the skin tones.

techniques

  • ·portraiture
  • ·smooth blending
  • ·glazing
  • ·color mixing
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in skin tone.
  • →Making the white dress too flat and lifeless.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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