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home·artworks·Napoleon on a Hunt in the Forest of Compiègne
Napoleon on a Hunt in the Forest of Compiègne by Carle Vernet

plate no. 7417

Napoleon on a Hunt in the Forest of Compiègne

Carle Vernet

oilNeoclassicismgenre paintingtreesfigureshorseshuntingforestdogs
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and animals, as well as understanding atmospheric perspective to create depth in a landscape. It also provides practice in rendering realistic textures and details, especially in the foliage and clothing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the overall composition, focusing on the placement of major elements like the trees, figures, and horizon line.

  2. step 02

    Establish the basic color blocks for the sky, foliage, and ground, using thin washes of color.

  3. step 03

    Start building up the details in the background trees, using layers of color to create depth and texture.

  4. step 04

    Begin adding the figures and animals, starting with the larger shapes and gradually adding details.

  5. step 05

    Pay close attention to the lighting and shadows, using them to create form and dimension.

  6. step 06

    Refine the details in the foreground, adding texture and highlights to the trees, figures, and animals.

  7. step 07

    Add final touches, such as small details in the clothing and foliage, to bring the painting to life.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · sap green · burnt umber · titanium white · yellow ochre

secondary · cadmium red · ultramarine blue · ivory black

Mix greens by blending yellow ochre and ultramarine blue, and adjust the shade with white or burnt umber. Create realistic skin tones by mixing white, red, and yellow ochre, and adjust the values with burnt umber.

techniques

  • ·Layering
  • ·Glazing
  • ·Scumbling
  • ·Dry brushing
  • ·Atmospheric perspective

common pitfalls

  • →Getting lost in the details too early
  • →Failing to establish a strong value structure
  • →Overworking the painting and losing the freshness of the brushstrokes
  • →Incorrect proportions of figures and animals

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (sap green, burnt umber, titanium white, yellow ochre, cadmium red, ultramarine blue, ivory black)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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oil painting for beginners →how to learn by studying the masters →
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