apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Napoleon Bonaparte Pardoning the Rebels at Cairo
Napoleon Bonaparte  Pardoning the Rebels at Cairo by Pierre-Narcisse Guerin

plate no. 6608

Napoleon Bonaparte Pardoning the Rebels at Cairo

Pierre-Narcisse Guerin, 1808

oil, canvasNeoclassicismhistory paintingfigureshistorical eventsoldierslandscapearchitecturetrees
experienced study

Recreating this painting will help students develop skills in figure drawing, composition with many elements, and rendering realistic skin tones and fabrics. It also provides practice in creating depth and atmosphere through color and value.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements.

  2. step 02

    Establish the basic background colors: sky, foliage, and ground.

  3. step 03

    Block in the main figures with simplified shapes and local colors.

  4. step 04

    Develop the light and shadow on the figures, paying attention to the source of light.

  5. step 05

    Add details to the faces, clothing, and architectural elements.

  6. step 06

    Refine the composition by adjusting values and colors to create depth.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze over areas to unify the color palette and create atmosphere.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · cadmium red · ivory black · raw sienna · viridian

Achieve skin tones by mixing yellow ochre, burnt umber, and white, with small amounts of red for warmth. Create shadows using burnt umber and blue. Mix greens for foliage using yellow ochre, ultramarine blue, and a touch of black.

techniques

  • ·figure drawing
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·portraiture

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear light source.
  • →Not paying attention to the proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, yellow ochre, ultramarine blue, titanium white, cadmium red, ivory black, raw sienna)
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs