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Mushroom by Victor Hugo

plate no. 9037

Mushroom

Victor Hugo, 1850

oilSymbolismlandscapemushroomlandscapeskyfieldplant
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and using a limited palette to achieve tonal harmony. It also provides practice in loose, expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mushroom and the horizon line.

  2. step 02

    Establish the overall warm tone of the sky with a thin wash of yellow ochre and burnt sienna.

  3. step 03

    Block in the dark areas of the landscape with a mix of burnt umber and black.

  4. step 04

    Begin defining the shape of the mushroom cap with a mix of green, yellow ochre, and white, adding a touch of red around the edge.

  5. step 05

    Paint the stem of the mushroom, using vertical strokes of white, yellow ochre, and burnt umber to suggest texture.

  6. step 06

    Soften the edges of the mushroom and blend the colors to create a sense of depth.

  7. step 07

    Add details to the landscape, such as small plants and distant buildings, using a dry brush technique.

  8. step 08

    Refine the highlights and shadows on the mushroom to enhance its form.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · burnt sienna · black · green

Achieve the mushroom cap color by mixing yellow ochre, green, and white. Use burnt umber and black for the darker areas of the landscape. Mix burnt sienna with yellow ochre for the sky.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·tonal painting
  • ·blending

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Creating too much contrast, which can flatten the image.
  • →Using too many colors, which can disrupt the tonal harmony.
  • →Neglecting the atmospheric perspective, which can make the landscape appear flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·black oil paint
  • ·round brush
  • ·flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-sized canvas (e.g., 16x20 inches) for this painting. Consider using a limited palette to simplify the color mixing process.

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