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home·artworks·Mucius Scaevola in the Presence of Lars Porsenna
Mucius Scaevola in the Presence of Lars Porsenna by Matthias Stom

plate no. 8653

Mucius Scaevola in the Presence of Lars Porsenna

Matthias Stom, 1645

oil, canvasTenebrismhistory paintingfigureshistorical scenefirealtarsoldiersdeath
experienced study

Recreating this painting will help students understand dramatic lighting techniques and how to create a focal point using value contrast. It also provides practice in rendering human figures in complex poses and drapery.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
5
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the main light source.

  2. step 02

    Establish the dark background using a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of light and shadow on the figures, starting with the brightest highlights.

  4. step 04

    Develop the details of the faces and clothing, paying attention to the folds and textures.

  5. step 05

    Refine the lighting around the fire, adding highlights and shadows to create a sense of depth.

  6. step 06

    Add details to the altar and the surrounding environment.

  7. step 07

    Glaze thin layers of color to enhance the richness and depth of the painting.

  8. step 08

    Add final highlights and details to create a sense of realism.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Achieve the warm skin tones by mixing raw sienna, burnt umber, and titanium white. Use ultramarine blue and burnt umber to create the dark shadows. Mix cadmium red with burnt umber to create the rich reds in the clothing.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early.
  • →Failing to create a strong sense of depth.
  • →Not paying enough attention to the lighting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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