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home·artworks·Mt. Rainier from the Southwest
Mt. Rainier from the Southwest by Albert Bierstadt

plate no. 2286

Mt. Rainier from the Southwest

Albert Bierstadt

oilLuminismlandscapemountainstreeslakeskyfoliagereflection
some experience helpful

This painting provides practice in atmospheric perspective and color mixing to create depth. Students will also learn to render realistic foliage and mountain forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountain, trees, and lake.

  2. step 02

    Block in the sky with a light blue, creating a gradient towards the horizon.

  3. step 03

    Establish the dark masses of the distant trees and the large hill on the left.

  4. step 04

    Begin layering in the colors of the foliage, using a variety of yellows, oranges, and reds.

  5. step 05

    Paint the mountain, starting with the shadows and gradually adding highlights to create form.

  6. step 06

    Add details to the trees, including branches and leaves.

  7. step 07

    Paint the reflections in the lake, mirroring the colors and shapes above.

  8. step 08

    Refine details and adjust values to create a sense of depth and realism.

color palette

primary · cerulean blue · titanium white · yellow ochre · burnt umber

secondary · cadmium yellow · cadmium red · viridian green · ultramarine blue

Mix different shades of green by combining yellow ochre, viridian green, and ultramarine blue. Achieve the mountain's cool shadows by mixing ultramarine blue and burnt umber with white.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·blending

common pitfalls

  • →Overworking the details in the foliage, resulting in a cluttered appearance.
  • →Failing to create a strong sense of depth, making the painting look flat.
  • →Using colors that are too saturated, resulting in an unrealistic appearance.
  • →Ignoring the subtle variations in color and value in the mountain.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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