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home·artworks·Mrs Sarah Siddons (1755–1831), as Euphrasia
Mrs Sarah Siddons (1755–1831), as Euphrasia by William Hamilton

plate no. 2070

Mrs Sarah Siddons (1755–1831), as Euphrasia

William Hamilton, 1784

oilNeoclassicismportraitfigureportraitdressseaskytower
some experience helpful

Recreating this painting will help students develop skills in rendering drapery and capturing realistic skin tones. It will also provide practice in creating atmospheric perspective and depicting a complex figure.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the main areas of color: the background sky and sea, the figure's dress, and the dark areas of the interior.

  3. step 03

    Begin to refine the figure's face and hands, paying attention to light and shadow.

  4. step 04

    Develop the details of the dress, focusing on the folds and highlights.

  5. step 05

    Add details to the background, including the tower and the waves.

  6. step 06

    Refine the overall composition, adjusting values and colors as needed.

  7. step 07

    Add final details, such as the jewelry and the patterns on the dress.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · ultramarine blue · cadmium yellow · alizarin crimson

Mix various shades of white with small amounts of yellow ochre, burnt umber, and black to create the subtle variations in the dress. Use ultramarine blue and white for the sky, and mix burnt umber and yellow ochre for the warm tones in the background.

techniques

  • ·drapery rendering
  • ·portraiture
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →getting the proportions of the figure wrong
  • →overworking the details of the dress
  • →failing to create a sense of depth in the background
  • →making the skin tones look flat or unnatural

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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