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home·artworks·Mrs Robert Hollond
Mrs Robert Hollond by Ary Scheffer

plate no. 9410

Mrs Robert Hollond

Ary Scheffer, 1851

oilNeoclassicismportraitportraitfigurewomandressshawljewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle skin tone blending, and rendering drapery folds. It also provides practice in creating a soft, diffused light effect.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
5

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the figure's pose, paying attention to proportions.

  2. step 02

    Block in the background with a light blue, gradually adding subtle variations in tone.

  3. step 03

    Establish the main light and shadow areas on the face, using thin washes of color.

  4. step 04

    Begin building up the skin tones with layers of subtle color mixing, focusing on smooth transitions.

  5. step 05

    Paint the dress and shawl, capturing the folds and highlights with soft brushstrokes.

  6. step 06

    Add details to the hair, eyes, and mouth, paying attention to subtle variations in color and value.

  7. step 07

    Carefully render the jewelry, using highlights and shadows to create a sense of depth.

  8. step 08

    Refine the overall composition and add any final touches.

color palette

primary · titanium white · ultramarine blue · burnt umber · cadmium red light

secondary · yellow ochre · ivory black

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The shawl's pink is created by mixing red and white. Use blue and white for the sky, adding small amounts of umber for depth.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in color and value.
  • →Making the brushstrokes too visible.

materials

surface · stretched canvas

required

  • ·stretched canvas (oval shape if possible)
  • ·oil paints (titanium white, ultramarine blue, burnt umber, cadmium red light, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted round and flat brushes
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas is recommended.

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