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home·artworks·Mrs.Richard Skinner
Mrs.Richard Skinner by John Singleton Copley

plate no. 7109

Mrs.Richard Skinner

John Singleton Copley, 1772

oil, canvasNeoclassicismportraitportraitfiguredresstablehairflower
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as mastering the techniques of blending and glazing to achieve smooth skin tones and realistic fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and proportions of the figure and table.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the light and shadow patterns.

  3. step 03

    Begin refining the skin tones, using a limited palette and blending carefully to create smooth transitions.

  4. step 04

    Develop the details of the dress, paying attention to the folds, lace, and floral patterns.

  5. step 05

    Paint the table, capturing the reflections and highlights to create a sense of depth.

  6. step 06

    Refine the hair, using small brushstrokes to create texture and volume.

  7. step 07

    Add the final details, such as the jewelry and the flower, to complete the portrait.

  8. step 08

    Glaze the entire painting with thin layers of color to unify the composition and enhance the depth.

color palette

primary · ivory black · titanium white · burnt umber · cadmium red

secondary · ultramarine blue · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use ultramarine blue and burnt umber to create the dark background. Mix white with a touch of red for the pink flower.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the subtle variations in light and shadow.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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