
plate no. 1381
Gerard Sekoto, 1947
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and understanding light and shadow to create form. It also provides practice in capturing a likeness and conveying emotion through facial expression.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and hat.
Establish the background color with a thin layer of red.
Block in the main areas of light and shadow on the face and neck using a base skin tone.
Mix and apply darker tones to define the shadows on the face, particularly on the side away from the light.
Add highlights to the face, focusing on the forehead, nose, and cheekbones.
Paint the details of the eyes, nose, and mouth, paying attention to their shapes and placement.
Add the details of the clothing, using small brushstrokes to create the pattern.
Refine the edges and details of the painting, making sure the proportions and values are accurate.
color palette
primary · yellow ochre · cadmium red · ultramarine blue
secondary · burnt umber · titanium white · black
Skin tones are achieved by mixing yellow ochre, cadmium red, and a touch of ultramarine blue. Shadows are created by adding burnt umber and a touch of black to the skin tone mix. Highlights are created by adding titanium white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify the color mixing process. Consider using a medium to thin the paint and improve blending.
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