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home·artworks·MRS M D SEKOTO THE ARTIST
MRS M D SEKOTO THE ARTIST by Gerard Sekoto

plate no. 1381

MRS M D SEKOTO THE ARTIST

Gerard Sekoto, 1947

oilExpressionismportraitportraitfigurewomanhatfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and understanding light and shadow to create form. It also provides practice in capturing a likeness and conveying emotion through facial expression.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head, shoulders, and hat.

  2. step 02

    Establish the background color with a thin layer of red.

  3. step 03

    Block in the main areas of light and shadow on the face and neck using a base skin tone.

  4. step 04

    Mix and apply darker tones to define the shadows on the face, particularly on the side away from the light.

  5. step 05

    Add highlights to the face, focusing on the forehead, nose, and cheekbones.

  6. step 06

    Paint the details of the eyes, nose, and mouth, paying attention to their shapes and placement.

  7. step 07

    Add the details of the clothing, using small brushstrokes to create the pattern.

  8. step 08

    Refine the edges and details of the painting, making sure the proportions and values are accurate.

color palette

primary · yellow ochre · cadmium red · ultramarine blue

secondary · burnt umber · titanium white · black

Skin tones are achieved by mixing yellow ochre, cadmium red, and a touch of ultramarine blue. Shadows are created by adding burnt umber and a touch of black to the skin tone mix. Highlights are created by adding titanium white.

techniques

  • ·portrait sketching
  • ·color mixing for skin tones
  • ·chiaroscuro
  • ·blending
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Using colors that are too bright or saturated.
  • →Not blending the colors smoothly enough.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·acrylic or oil paints
  • ·yellow ochre
  • ·cadmium red
  • ·ultramarine blue
  • ·burnt umber
  • ·titanium white
  • ·round brushes sizes 2, 4, and 6

optional

  • ·palette knife
  • ·medium (for oils)
  • ·easel

Use a limited palette to simplify the color mixing process. Consider using a medium to thin the paint and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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