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home·artworks·Mrs. John Winthrop (Hannah Fayerweather)
Mrs. John Winthrop (Hannah Fayerweather) by John Singleton Copley

plate no. 7281

Mrs. John Winthrop (Hannah Fayerweather)

John Singleton Copley, 1773

oil, canvasNeoclassicismportraitportraitfigureclothingtablefruitlace
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and the textures of different fabrics. It also provides practice in creating subtle gradations of light and shadow to create form.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key elements.

  2. step 02

    Block in the main areas of color: background, skin, clothing, and table.

  3. step 03

    Begin refining the skin tones, layering colors to create depth and realism.

  4. step 04

    Work on the clothing, paying attention to the folds and highlights of the fabric.

  5. step 05

    Add details to the lace, using fine brushes and light colors to create the delicate texture.

  6. step 06

    Paint the table, capturing the reflections and subtle variations in color.

  7. step 07

    Refine the details of the fruit and other small objects.

  8. step 08

    Add final highlights and shadows to enhance the overall realism of the painting.

color palette

primary · ultramarine blue · titanium white · burnt umber · cadmium red

secondary · yellow ochre · ivory black · alizarin crimson

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. The blue dress requires mixing ultramarine with white and small amounts of other colors to create variations in shade and tone. The table is a mix of burnt umber, red, and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in color and light.
  • →Losing the delicate texture of the lace.
  • →Ignoring the reflections on the table.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#4 round brush
  • ·#6 flat brush
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

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oil painting for beginners →how to learn by studying the masters →
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