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home·artworks·Mrs.Clark Gayton
Mrs.Clark Gayton by John Singleton Copley

plate no. 6391

Mrs.Clark Gayton

John Singleton Copley, 1779

oil, canvasNeoclassicismportraitportraitfiguredresswindowflowerschair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric folds. It also offers practice in creating a sense of depth and atmosphere through subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure, chair, and background.

  2. step 02

    Block in the main color areas: skin tones, dress, background, and chair.

  3. step 03

    Begin refining the skin tones, paying attention to subtle shifts in color and value.

  4. step 04

    Develop the folds and highlights in the dress, using a combination of blending and layering.

  5. step 05

    Work on the background details, including the window, flowers, and drapery.

  6. step 06

    Add details to the chair and jewelry.

  7. step 07

    Refine the facial features, focusing on capturing the likeness of the subject.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · titanium white · ivory black · yellow ochre · burnt umber

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the skin tones by mixing white, yellow ochre, and a touch of red and umber. The dress is a mix of black, white, and blue. Use thin glazes to create depth in the fabric.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·fabric rendering
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle color variations in the dress.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, ivory black, yellow ochre, burnt umber, cadmium red, ultramarine blue, raw sienna)
  • ·palette
  • ·assorted brushes (round and flat, sizes 2-8)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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