
plate no. 7682
Joseph Wright, 1762
Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as the ability to depict intricate details like lace and jewelry.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and clothing.
Establish the background with a dark, blended tone.
Block in the main areas of color for the skin, dress, and lace.
Refine the skin tones with subtle layering and blending.
Add details to the dress, focusing on the patterns and textures of the lace.
Paint the jewelry and roses, paying attention to highlights and shadows.
Adjust the overall values and colors to create a sense of depth and realism.
Add final details and highlights to complete the painting.
color palette
primary · titanium white · ultramarine blue · burnt umber · cadmium red
secondary · yellow ochre · ivory black · viridian
Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the blue of the dress by mixing ultramarine with white and a touch of black for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi

Portrait of Louis d'Orleans
Franz Xaver Winterhalter

Rooftops in the shadows
Pierre-Henri de Valenciennes

The Schmadribach Falls
Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare
William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini

Self-Portrait
Anton Raphael Mengs