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home·artworks·Mr.and Mrs. Ralph Izard
Mr.and Mrs. Ralph Izard by John Singleton Copley

plate no. 6375

Mr.and Mrs. Ralph Izard

John Singleton Copley, 1775

oil, canvasNeoclassicismportraitfiguresportraitinteriorarchitecturelandscapefurniture
experienced study

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and drapery. It also provides practice in depicting complex compositions with multiple elements and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of tone and value.

  3. step 03

    Develop the background elements, such as the landscape and architectural details, gradually adding more detail.

  4. step 04

    Refine the figures, paying close attention to the facial features, hands, and clothing.

  5. step 05

    Work on the drapery, capturing the folds and highlights to create a sense of volume.

  6. step 06

    Add details to the furniture and other objects, such as the table and vase.

  7. step 07

    Adjust the overall color balance and value contrast to create a harmonious and balanced composition.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · cadmium red · ultramarine blue

secondary · yellow ochre · burnt umber · raw sienna

Achieve skin tones by mixing titanium white, cadmium red, yellow ochre, and a touch of burnt umber. Create the blues in the dress by mixing ultramarine blue with white and a touch of black for shadows. The red drapery is achieved by mixing cadmium red with burnt umber and white.

techniques

  • ·portraiture
  • ·drapery rendering
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate color mixing leading to muddy tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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