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home·artworks·Mr.and Mrs.Isaac Winslow
Mr.and Mrs.Isaac Winslow by John Singleton Copley

plate no. 8260

Mr.and Mrs.Isaac Winslow

John Singleton Copley, 1773

oil, canvasNeoclassicismportraitfiguresportraittableclothingdrapery
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as practice with depicting fabric textures and folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic shapes and proportions of the figures and the table.

  2. step 02

    Establish the background colors, focusing on the drapery and the dark areas behind the figures.

  3. step 03

    Block in the main skin tones, paying attention to the light and shadow on the faces and hands.

  4. step 04

    Start defining the clothing, focusing on the folds and textures of the fabrics.

  5. step 05

    Add details to the faces, including the eyes, nose, and mouth, and refine the hair.

  6. step 06

    Work on the details of the clothing, such as the lace and floral patterns.

  7. step 07

    Refine the table and other elements, adding highlights and shadows to create depth.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and realistic representation.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · alizarin crimson

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. Use burnt umber and ultramarine blue for the dark background and clothing shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or flat skin tones.
  • →Inaccurate rendering of fabric folds and textures.
  • →Lack of attention to detail in the facial features.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, titanium white, cadmium red light, yellow ochre, ultramarine blue, burnt umber, alizarin crimson)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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