apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mountainous riverlandscape
Mountainous riverlandscape by Jacob van Strij

plate no. 7837

Mountainous riverlandscape

Jacob van Strij

oilNeoclassicismlandscaperiverlandscapefigurescowstreeshills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in painting realistic figures and animals within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, hills, and main elements.

  2. step 02

    Establish the sky with a gradient from light blue to a warmer tone near the horizon.

  3. step 03

    Block in the distant hills and mountains using muted blues and greens, paying attention to atmospheric perspective.

  4. step 04

    Paint the river, reflecting the sky and surrounding landscape.

  5. step 05

    Add the larger masses of trees and foliage, varying the greens and browns.

  6. step 06

    Introduce the figures and cows, focusing on their basic shapes and colors.

  7. step 07

    Refine the details of the foreground elements, including the bridge, rocks, and vegetation.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · cadmium red · sap green · raw sienna

Mix muted greens for the distant hills by combining blue, yellow, and a touch of brown. Achieve atmospheric perspective by adding white to colors for distant objects.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the distant landscape.
  • →Creating too much contrast in the background, which flattens the perspective.
  • →Making the colors too saturated, losing the subtle atmospheric effect.
  • →Ignoring the light source and creating inconsistent shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas for better texture. Consider using a glazing medium to enhance the luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs