
plate no. 2258
David Johnson, 1851
Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create subtle variations in tone and temperature. Students will also learn to simplify complex forms like trees and mountains into manageable shapes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the horizon line and the placement of the mountain and trees.
Establish the sky with a gradient of light pink and blue, blending carefully.
Block in the distant mountains with muted greens and browns, paying attention to atmospheric perspective.
Paint the large mass of trees in the mid-ground, using darker greens and browns.
Add the field in the foreground with warm yellows and browns, varying the tones to create depth.
Paint individual trees and bushes in the foreground, adding details to create texture.
Add the fence and the house, paying attention to their perspective.
Refine the details and highlights throughout the painting, adjusting values and colors as needed.
color palette
primary · yellow ochre · burnt umber · ultramarine blue · titanium white
secondary · cadmium yellow · alizarin crimson · viridian green
Mix muted greens by combining ultramarine blue, cadmium yellow, and burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.
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