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home·artworks·Mount Chocorua, New Hampshire
Mount Chocorua, New Hampshire by David Johnson

plate no. 2258

Mount Chocorua, New Hampshire

David Johnson, 1851

oilLuminismlandscapelandscapemountainstreesfieldskyhouse
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create subtle variations in tone and temperature. Students will also learn to simplify complex forms like trees and mountains into manageable shapes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountain and trees.

  2. step 02

    Establish the sky with a gradient of light pink and blue, blending carefully.

  3. step 03

    Block in the distant mountains with muted greens and browns, paying attention to atmospheric perspective.

  4. step 04

    Paint the large mass of trees in the mid-ground, using darker greens and browns.

  5. step 05

    Add the field in the foreground with warm yellows and browns, varying the tones to create depth.

  6. step 06

    Paint individual trees and bushes in the foreground, adding details to create texture.

  7. step 07

    Add the fence and the house, paying attention to their perspective.

  8. step 08

    Refine the details and highlights throughout the painting, adjusting values and colors as needed.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium yellow · alizarin crimson · viridian green

Mix muted greens by combining ultramarine blue, cadmium yellow, and burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·color blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details in the distant mountains.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth in the field.
  • →Ignoring the subtle variations in tone and temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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