apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mother pride
Mother pride by Xavier Mellery

plate no. 2644

Mother pride

Xavier Mellery

oilSymbolismsymbolic paintingfiguremotherchildtreefoliagebalustrade
some experience helpful

Recreating this painting will help students develop skills in figure drawing, rendering skin tones with subtle variations, and using a limited palette to create a harmonious composition.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figures.

  2. step 02

    Establish the background color with a thin wash of yellow ochre.

  3. step 03

    Block in the main shapes of the figures and the tree with burnt umber.

  4. step 04

    Begin layering the skin tones, using a mix of white, yellow ochre, and a touch of burnt umber.

  5. step 05

    Add details to the faces, paying attention to the light and shadow.

  6. step 06

    Develop the drapery and foliage, using broken brushstrokes to create texture.

  7. step 07

    Refine the balustrade and add any remaining details.

  8. step 08

    Add the text 'FIERTE' and 'MATERNELLE'

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · raw sienna · ivory black

Achieve skin tones by mixing white with small amounts of yellow ochre and burnt umber; use raw sienna and ivory black to create darker shades for shadows and foliage.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·limited palette
  • ·figure drawing

common pitfalls

  • →Overworking the skin tones and losing the subtle variations.
  • →Making the background too uniform and lacking depth.
  • →Getting the proportions of the figures wrong.
  • →Using too many colors and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·raw sienna oil paint
  • ·ivory black oil paint

Use a canvas with a smooth texture to allow for subtle blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull