apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mother of God, study
Mother of God, study by Nikolaos Gyzis

plate no. 1312

Mother of God, study

Nikolaos Gyzis, 1898

oilSymbolismreligious paintingfigureangelsreligioushalocrossdrapery
some experience helpful

Recreating this painting will help students develop skills in depicting light and shadow, and in creating a sense of ethereal atmosphere through soft blending and limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the circle, the figure, the angels, and the cross.

  2. step 02

    Block in the main areas of color with thinned paint, focusing on the overall value structure.

  3. step 03

    Start with the darkest areas, gradually building up the lighter tones.

  4. step 04

    Pay attention to the soft edges and blended transitions between colors.

  5. step 05

    Refine the details of the figure and angels, adding subtle highlights and shadows.

  6. step 06

    Create the halo effect with thin washes of yellow and white.

  7. step 07

    Add the drapery details at the bottom.

  8. step 08

    Adjust the overall values and refine the edges to achieve the desired atmospheric effect.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna

Achieve the muted tones by mixing ultramarine blue with raw umber and titanium white. Use yellow ochre sparingly for the halo and highlights.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·soft blending
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much color and creating a harsh, unrealistic palette.
  • →Failing to establish a strong value structure.
  • →Making the edges too sharp and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Thin the paint with linseed oil to create transparent washes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

Paisatge

Paisatge

Joan Brull