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Model Class at the Copenhagen Academy by Christian August Lorentzen

plate no. 2322

Model Class at the Copenhagen Academy

Christian August Lorentzen, 1824

oilNeoclassicismgenre paintingfiguresanatomystudentsclassroomsculptureslight
experienced study

Recreating this painting will help students understand the use of chiaroscuro to create depth and drama, as well as how to accurately depict human anatomy and form. It also offers practice in rendering different textures and materials, such as skin, fabric, and stone.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the overall composition.

  2. step 02

    Establish the darkest and lightest areas to define the value structure.

  3. step 03

    Block in the main areas of color, focusing on the warm tones of the figures and the cooler tones of the background.

  4. step 04

    Develop the anatomical details of the figures, paying close attention to the play of light and shadow.

  5. step 05

    Add details to the background sculptures and the students in the foreground.

  6. step 06

    Refine the edges and transitions between values to create a sense of depth and realism.

  7. step 07

    Glaze thin layers of color to unify the painting and enhance the luminosity.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · burnt sienna · cadmium red light

Mix various shades of skin tones by combining titanium white, yellow ochre, and small amounts of burnt sienna and cadmium red light. Use raw umber and ivory black to create the dark shadows and background tones.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·underpainting
  • ·anatomical rendering
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate rendering of anatomical details.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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