apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mme De Saint-Paulet
Mme De Saint-Paulet by Joseph Duplessis

plate no. 1151

Mme De Saint-Paulet

Joseph Duplessis, 1780

oil, canvasNeoclassicismportraitportraitwomandresslacehairjewelry
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering fabric textures and patterns.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and the overall pose.

  2. step 02

    Establish the background with a thin wash of neutral gray.

  3. step 03

    Block in the main areas of color: skin tones, dress, hair, and lace.

  4. step 04

    Refine the skin tones with subtle variations in color and value, paying attention to highlights and shadows.

  5. step 05

    Develop the details of the dress, including the floral pattern and the folds of fabric.

  6. step 06

    Add details to the lace collar and cuffs, using small brushes to create the delicate texture.

  7. step 07

    Paint the hair, using light and dark tones to create volume and texture.

  8. step 08

    Add final details such as jewelry and the mole on her face.

color palette

primary · titanium white · burnt sienna · ivory black · cadmium red light

secondary · viridian green · yellow ochre · ultramarine blue

Mix skin tones by blending white, sienna, and a touch of red. Use black and blue for the background and shadows. Create the dress color by mixing red and sienna, and the green floral pattern by mixing viridian and yellow ochre.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·rendering fabric
  • ·creating texture

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to capture the delicate texture of the lace.
  • →Making the floral pattern on the dress too uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·#2 round brush
  • ·#4 flat brush
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a neutral color can be helpful.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs