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home·artworks·Miss Thea Proctor
Miss Thea Proctor by George Washington Lambert

plate no. 7274

Miss Thea Proctor

George Washington Lambert, 1903

oilSymbolismportraitportraitwomanhatdressfoliagelandscape
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as practice blending and layering techniques to achieve depth and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones on the face, using subtle color variations.

  4. step 04

    Define the details of the dress, hat, and foliage, paying attention to texture.

  5. step 05

    Refine the background, creating a sense of depth and atmosphere.

  6. step 06

    Add the small white dots on the dress.

  7. step 07

    Adjust the values and colors throughout the painting to create a cohesive and harmonious composition.

  8. step 08

    Add final details and highlights.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · alizarin crimson

Mix various shades of brown and gray for the foliage and background. Use white and red to create skin tones, adding small amounts of yellow ochre and blue for shadows.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create a sense of depth in the background.
  • →Making the dots on the dress too uniform or evenly spaced.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·alizarin crimson oil paint

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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