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home·artworks·Milking Time
Milking Time by Abraham van Strij

plate no. 9626

Milking Time

Abraham van Strij, 1810

oilNeoclassicismgenre paintingcowsfigureslandscapetreesgrassfarm
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and animals in a landscape, as well as understanding atmospheric perspective and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the cows, figures, trees, and gate.

  2. step 02

    Establish the sky and background with thin washes of color, creating a sense of atmospheric perspective.

  3. step 03

    Block in the main shapes of the trees and foliage, paying attention to the light and shadow.

  4. step 04

    Begin adding details to the cows and figures, focusing on accurate proportions and anatomy.

  5. step 05

    Develop the foreground with details of grass, milk jugs, and other objects.

  6. step 06

    Refine the details of the gate and surrounding architecture.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze and adjust colors to achieve the desired mood and atmosphere.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · Prussian blue · cadmium yellow

Achieve the subtle greens by mixing yellow ochre, Prussian blue, and white. Use raw umber and burnt sienna for the browns of the cows and landscape, lightened with white for highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering form with light and shadow
  • ·blending

common pitfalls

  • →overworking details too early
  • →incorrect proportions of figures and animals
  • →lack of atmospheric perspective
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, raw umber, titanium white, burnt sienna, Prussian blue)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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