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home·artworks·Michelago Landscape
Michelago Landscape by George Washington Lambert

plate no. 0900

Michelago Landscape

George Washington Lambert, 1923

oilSymbolismlandscapelandscapehillstreesskycloudsgrass
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmospheric perspective, as well as practicing loose, expressive brushwork to capture the texture of the landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Block in the sky with light blues and grays, suggesting cloud formations.

  3. step 03

    Establish the base colors for the distant hills, using muted browns and blues to create atmospheric perspective.

  4. step 04

    Paint the mid-ground fields with varying shades of green and yellow, adding subtle variations in tone.

  5. step 05

    Add the trees and foliage in the foreground, using darker greens and browns to create contrast.

  6. step 06

    Define the details of the foreground grass and fallen log with expressive brushstrokes.

  7. step 07

    Refine the highlights and shadows throughout the painting to enhance depth and dimension.

  8. step 08

    Add final details, such as the cattle in the mid-ground, to complete the scene.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to the blues and browns for distant hills.

techniques

  • ·layering
  • ·atmospheric perspective
  • ·dry brush
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to create sufficient depth and atmospheric perspective.
  • →Using colors that are too saturated and unnatural.
  • →Neglecting the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to allow for expressive brushwork. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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