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home·artworks·Merriment on frozen river
Merriment on frozen river by Abraham van Strij

plate no. 2870

Merriment on frozen river

Abraham van Strij

oilNeoclassicismgenre paintingskycloudsfiguresiceboatsarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape. It also provides practice in creating subtle color variations to depict light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major elements like the boats, figures, and buildings.

  2. step 02

    Block in the sky with light blue, gradually adding white for the clouds, paying attention to their shapes and soft edges.

  3. step 03

    Establish the base color for the ice, a mix of blues, grays, and whites, and suggest the reflections.

  4. step 04

    Begin adding the figures, starting with the larger groups and then the smaller details, using simplified shapes and colors.

  5. step 05

    Paint the boats and architectural elements, focusing on their forms and details.

  6. step 06

    Add the bare tree, paying attention to the delicate branches.

  7. step 07

    Refine the details, adjusting values and colors to create depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · sky blue · titanium white · raw umber

secondary · yellow ochre · burnt sienna · payne's gray

Achieve the sky color by mixing sky blue with titanium white, and add a touch of raw umber for warmth. Mix different amounts of white with the base colors to create variations in value and tone.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·rendering figures

common pitfalls

  • →Overworking the details too early.
  • →Creating harsh lines instead of soft transitions.
  • →Ignoring the effects of atmospheric perspective.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil or acrylic medium

optional

  • ·palette knife
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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