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Megilla by John William Godward

plate no. 2587

Megilla

John William Godward, 1921

oil, canvasNeoclassicismportraitportraitwomanheadbanddressmarbleprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery. It also provides practice in achieving subtle gradations and smooth blending.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main light and shadow areas on the face and body.

  3. step 03

    Block in the background marble pattern with light washes.

  4. step 04

    Begin layering skin tones, focusing on smooth transitions.

  5. step 05

    Paint the dress, paying attention to the folds and transparency.

  6. step 06

    Add details to the headband and hair.

  7. step 07

    Refine the marble background, adding depth and variation.

  8. step 08

    Add final highlights and details to the face and clothing.

color palette

primary · titanium white · yellow ochre · burnt sienna · ultramarine blue

secondary · alizarin crimson · raw umber · ivory black

Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and a touch of alizarin crimson. The dress uses ultramarine blue mixed with white and a hint of raw umber for the gray tones. The marble background is created with washes of raw umber and white.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering
  • ·color matching

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle variations in light and shadow.
  • →Making the marble background too uniform and flat.
  • →Incorrect proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·ivory black oil paint

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

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oil painting for beginners →how to learn by studying the masters →
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