
plate no. 2587
John William Godward, 1921
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery. It also provides practice in achieving subtle gradations and smooth blending.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background.
Establish the main light and shadow areas on the face and body.
Block in the background marble pattern with light washes.
Begin layering skin tones, focusing on smooth transitions.
Paint the dress, paying attention to the folds and transparency.
Add details to the headband and hair.
Refine the marble background, adding depth and variation.
Add final highlights and details to the face and clothing.
color palette
primary · titanium white · yellow ochre · burnt sienna · ultramarine blue
secondary · alizarin crimson · raw umber · ivory black
Skin tones are achieved by mixing white, yellow ochre, burnt sienna, and a touch of alizarin crimson. The dress uses ultramarine blue mixed with white and a hint of raw umber for the gray tones. The marble background is created with washes of raw umber and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.
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