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Medusa by Carlos Schwabe

plate no. 1458

Medusa

Carlos Schwabe, 1895

oilSymbolismmythological paintingfiguremythologysnakeshairfacehorror
experienced study

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating dynamic compositions with complex details. It also provides practice in rendering textures like hair and scales.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the circular composition and the placement of the figure and snakes.

  2. step 02

    Block in the main areas of color: skin, hair, snakes, and background.

  3. step 03

    Begin layering in the skin tones, paying attention to the highlights and shadows to create form.

  4. step 04

    Develop the details of the face, focusing on the eyes and mouth.

  5. step 05

    Paint the snakes, using varying shades of green and brown to create depth and texture.

  6. step 06

    Add the pink flower-like details on the snakes.

  7. step 07

    Refine the hair, using thin brushstrokes to create individual strands.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · burnt sienna · ivory black

secondary · viridian green · alizarin crimson · titanium white

Skin tones are achieved by mixing yellow ochre, burnt sienna, and white, with small amounts of alizarin crimson for warmth. Greens are created by mixing viridian green with black and white for different shades.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·portraiture
  • ·color mixing

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create enough contrast between the light and dark areas.
  • →Simplifying the snakes too much, losing the sense of depth and texture.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (circular)
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil (if using oil paints)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retarder medium
  • ·easel

A circular canvas will best capture the original composition. Use high-quality paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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