apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mary Curzon (1585–1645), Countess of Dorset
Mary Curzon (1585–1645), Countess of Dorset by William Hamilton

plate no. 7892

Mary Curzon (1585–1645), Countess of Dorset

William Hamilton, 1776

oilNeoclassicismportraitportraitfiguredresslacecarpetcurtain
experienced study

Recreating this painting will help students develop skills in rendering complex fabric patterns and capturing realistic skin tones. It also provides practice in depicting intricate details like lace and jewelry.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the overall value structure, focusing on the light and shadow patterns.

  3. step 03

    Block in the main colors of the background, dress, and skin.

  4. step 04

    Begin adding details to the face, paying attention to subtle value changes.

  5. step 05

    Develop the patterns on the dress, working from large shapes to smaller details.

  6. step 06

    Render the lace collar and cuffs, focusing on the delicate texture.

  7. step 07

    Add details to the carpet and background curtain.

  8. step 08

    Refine the overall painting, adjusting values and adding final details.

color palette

primary · ivory · crimson · umber

secondary · ultramarine blue · gold ochre · rose madder

Achieve the dress's pattern by mixing ivory with small amounts of umber, crimson, and blue. Skin tones are created with ivory, rose madder, and a touch of umber.

techniques

  • ·glazing
  • ·scumbling
  • ·rendering
  • ·pattern repetition
  • ·portraiture

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Making the dress pattern too uniform and flat.
  • →Inaccurate proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will be helpful for rendering fine details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire

Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.

Giovanni Battista Piranesi

Portrait of Louis d'Orleans

Portrait of Louis d'Orleans

Franz Xaver Winterhalter

Rooftops in the shadows

Rooftops in the shadows

Pierre-Henri de Valenciennes

The Schmadribach Falls

The Schmadribach Falls

Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare

A Scene from 'As You Like It' by William Shakespeare

William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko

Portrait of Klementyna Ostrowska Née Sanguszko

Vincenzo Camuccini

Self-Portrait

Self-Portrait

Anton Raphael Mengs