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home·artworks·Martin Michel Charles Gaudin
Martin Michel Charles Gaudin by Joseph-Marie Vien

plate no. 7967

Martin Michel Charles Gaudin

Joseph-Marie Vien, 1806

oilNeoclassicismportraitportraitfigureclothingdeskinteriorcarpet
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex fabrics and textures. It also provides practice in creating depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and key objects.

  2. step 02

    Establish the background with broad, muted tones, creating a sense of depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to the folds and drapery of the clothing.

  4. step 04

    Begin refining the facial features, focusing on accurate proportions and subtle value changes.

  5. step 05

    Develop the details of the clothing, including the intricate patterns and textures.

  6. step 06

    Add highlights and shadows to create form and dimension, particularly on the face and clothing.

  7. step 07

    Refine the background and foreground details, ensuring they support the overall composition.

  8. step 08

    Add final touches and glazes to enhance the colors and create a sense of atmosphere.

color palette

primary · ultramarine blue · titanium white · cadmium red · raw umber

secondary · yellow ochre · ivory black · gold

Achieve the rich blues by mixing ultramarine with a touch of ivory black and white. Create the flesh tones by blending cadmium red, yellow ochre, and white, adjusting the proportions for highlights and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure, especially the face.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurate color mixing, resulting in unnatural skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, titanium white, cadmium red, raw umber, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g., Liquin)

Use high-quality oil paints for best results. Consider using a medium to speed up drying time and improve blending.

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