
plate no. 3315
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding subtle color variations and blending techniques.
technical profile
approach — 8 steps
Sketch the oval frame and the basic proportions of the figure.
Block in the main shapes and values of the background landscape and the figure's clothing.
Establish the skin tones with a base layer of color.
Begin layering and blending colors to create the form of the face and hands.
Add details to the clothing, including the lace and fabric folds.
Refine the background landscape, adding details to the trees and sky.
Paint the oval frame, paying attention to the texture and color variations.
Add final highlights and shadows to create depth and dimension.
color palette
primary · titanium white · yellow ochre · burnt umber · cadmium red light
secondary · ultramarine blue · ivory black · raw sienna
Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Use burnt umber and black to create shadows and depth. Mix ultramarine blue with white for the sky.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A smooth canvas surface will aid in blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
related guides
in this vein

Portrait of Sculptor Jean-Antoine Houdon working at the bust of Voltaire
Marie-Gabrielle Capet

The Roman antiquities, t. 1, Plate XXXI. Temple of Antonius and Faustina.
Giovanni Battista Piranesi

Portrait of Louis d'Orleans
Franz Xaver Winterhalter

Rooftops in the shadows
Pierre-Henri de Valenciennes

The Schmadribach Falls
Joseph Anton Koch

A Scene from 'As You Like It' by William Shakespeare
William Hamilton

Portrait of Klementyna Ostrowska Née Sanguszko
Vincenzo Camuccini

Self-Portrait
Anton Raphael Mengs