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home·artworks·Maria Theresa of Naples and Sicily, 2nd Wife of Franz II
Maria Theresa of Naples and Sicily, 2nd Wife of Franz II by Joseph Kreutzinger

plate no. 7898

Maria Theresa of Naples and Sicily, 2nd Wife of Franz II

Joseph Kreutzinger, 1805

oilNeoclassicismportraitportraitfigurewomanclothinghairheadband
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in depicting fabric and hair textures.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape and the basic proportions of the head, shoulders, and clothing.

  2. step 02

    Block in the main areas of color: skin, hair, clothing, and background.

  3. step 03

    Begin layering skin tones, focusing on subtle shifts in value and hue to create form.

  4. step 04

    Develop the hair, using small, broken strokes to suggest texture and volume.

  5. step 05

    Refine the details of the clothing, paying attention to folds and highlights.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth.

  7. step 07

    Paint the headband, carefully rendering the stripes and texture.

  8. step 08

    Adjust the background and overall color balance to create a harmonious composition.

color palette

primary · titanium white · cadmium red light · yellow ochre · ultramarine blue

secondary · burnt umber · raw sienna · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red and blue. Use burnt umber and white for shadows. Mix red and black for the darker areas of the red clothing.

techniques

  • ·portraiture
  • ·color blending
  • ·layering
  • ·scumbling
  • ·rendering

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle shifts in value and hue that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas (oval if possible, otherwise rectangular)
  • ·acrylic or oil paints
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brush (size 6)
  • ·palette
  • ·linseed oil or acrylic medium
  • ·palette knife
  • ·soft cloth

optional

  • ·retouch varnish
  • ·easel

Use a smooth canvas for best results. If using acrylics, work quickly to blend colors before they dry.

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oil painting for beginners →how to learn by studying the masters →
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