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home·artworks·Maria Luisa De Borbon, Grand Duchess of Toscana
Maria Luisa De Borbon, Grand Duchess of Toscana by Anton Raphael Mengs

plate no. 4696

Maria Luisa De Borbon, Grand Duchess of Toscana

Anton Raphael Mengs, 1770

oilNeoclassicismportraitportraitfiguredressjewelrychaircurtain
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering of fabric textures, and subtle color blending to create realistic skin tones. It also provides practice in capturing the likeness and expression of a subject.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and placement within the frame.

  2. step 02

    Establish the background color and the main shapes of the drapery.

  3. step 03

    Block in the main areas of the dress with light gray and white, noting the patterns and folds.

  4. step 04

    Begin layering the skin tones, using thin washes to build up the form of the face and hands.

  5. step 05

    Add the details of the jewelry and lace, paying attention to the highlights and shadows.

  6. step 06

    Refine the details of the chair and other elements, adding depth and dimension.

  7. step 07

    Adjust the overall values and colors to create a harmonious and balanced composition.

  8. step 08

    Add final highlights and details to the face and dress.

color palette

primary · titanium white · ivory black · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt umber · raw sienna

Mix various shades of gray by combining white, black, and small amounts of blue and red. Skin tones are achieved by mixing white, red, yellow ochre, and a touch of blue or green for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated or intense.
  • →Failing to create a sense of depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

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