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home·artworks·Manantial
Manantial by José Santiago Garnelo y Alda

plate no. 5047

Manantial

José Santiago Garnelo y Alda

oilNaturalismlandscaperockswaterfallstreamfoliagelandscape
some experience helpful

This painting allows students to practice depicting the textures of rocks and the movement of water using broken color and layering techniques. It also provides a good exercise in creating depth through atmospheric perspective and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the rocks and waterfall.

  2. step 02

    Establish the overall color scheme with a thin underpainting using burnt umber or a similar earth tone.

  3. step 03

    Block in the large areas of color on the rocks, varying the values to suggest form and light.

  4. step 04

    Paint the waterfall, using vertical strokes and varying the thickness of the paint to create the illusion of movement.

  5. step 05

    Add details to the rocks, such as moss and lichen, using small brushstrokes and broken color.

  6. step 06

    Refine the water, adding highlights and reflections to create depth and realism.

  7. step 07

    Add the surrounding foliage, using a variety of greens and browns to create texture and interest.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and harmonious painting.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · viridian green · cadmium red

Mix various shades of brown and gray by combining burnt umber, yellow ochre, and white. Use small amounts of green and red to create subtle variations in the rock colors. Achieve the water's transparency by layering thin washes of color.

techniques

  • ·broken color
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating too much contrast, resulting in a harsh and unnatural look.
  • →Failing to establish a clear focal point.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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